Vincent Grenier Movies

Burning Bush is made from a series of mid fall shots of a bright "digital" red euonymus both in real time and with video time lapses. Much of the...

"Catch is a fragmented observation on hidden reflective surfaces, the corner of a dormant television screen, a window..." —Mike Reynolds

Human subjects and their verbal discourse, dealing with fleeting and shifting identity.

"The insinuation of camera movements and the familiarity of the same forms recurring in black and then luminous white shapes, makes X an intriguing...

Changes of directions, in the wind, the edges, the shapes, a joyous and mesmerizing intrigue. Perhaps an other way to put it is to describe this...

"'Shade' is a near exhaustion of the possibilities between camera (aperture, focus) and nature (sun, wind). It is a beautiful study-poem on the...

A rumination on cinematic time reversals as versatile continuums. Re-discovering the outdoors as (a stage) set where the natural is made to pose as...

Changes of spatial relationships, scales, locations, and materials are intimated with recognisable clues which nevertheless do not always eliminate...

This video was originally shot in Hi 8 on a winter day in 1992, the last day Ithacans could have their dry garbage and cast-offs hauled away for free...

"Revisiting footage he shot more than ten years ago in an American high school, Vincent Grenier combines deftly manipulated and layered images with...

A boy’s phantasmagoric world of heroes is captured in layers of light and hues. This video, humorously and poetically juggles ideas about make...

In the playful and hypnotic miniature Moonrise, avant-garde luminary Vincent Grenier sets falling rain and its sweeping pock-filled shadows to an...

In D'APRES MEG, small hand gestures are microscopically observed in their everyday context, a garden conversation, a construction site, a gallery...

This film is a collage of distant worlds, lost and not yet learned; memories and functions as playful instincts. An Alzheimer-afflicted woman’s...

A product of the pandemic, Grenier's new film brings the outdoors in, with curious results.

This film was shot in color but using the Kinemacolor process, a process which was used in 1915 to obtain fairly illusionistic colors from black and...

A black-and-white collage in motion. Shadowy projections and solids layered.

Described as "a collection of 'windows' on a personal past" "Time's Wake (Once Removed)" incorporates material from an earlier version. On the...

A film about the dynamic of assumptions as seen through the struggle of a gay man who has recently been told that he is HIV positive and who, in his...

In “World in Focus,” the screen becomes the two-dimensional support of an amazingly versatile three-dimensional object (an atlas) which...